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It’s a line that offers a tiny window into the rapper’s current emotional configuration. “Keep changing for the better, what to do when your job thankless?” Whereas that would be the end of it in his previous EPs, the next line offers a sliver of hope: “True pain, I couldn’t eat or sleep for seven days. Toward the end of the album, Sweatshirt raps about the pain of losing his grandmother on God Laughs: HOW FATHERHOOD HAS GROUNDED EARL SWEATSHIRT With each release, Sweatshirt seems to disappear further into the shadows while Thebe Kgositsile appears to emerge and cohere. The rapper has grown more insular over time, taking long hiatuses between albums and rarely giving interviews. Whereas his previous releases revisited themes of resentment, rage and estrangement, Sick! is the soundtrack to a decades-long journey of self-discovery.
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Some Rap Songs and Sweatshirt’s Feet of Clay EP were a public reckoning with his estranged father.īut Sick! feels like an introduction to the man behind the moniker. Doris was named after his late grandmother. The absence of lyrics that directly address his father is by design. Get it how you live, I guess it’s all you get. “You’ll fall and slip again, I heard life a trip. The title track sees him rap about stoically taking life’s punches: While Sweatshirt credits fatherhood with much of his newfound hope, it isn’t spelled out or paraded. I’m still learning, man.” ‘SICK!’ BY EARL SWEATSHIRT IS A SOUNDTRACK TO A ‘JOURNEY OF SELF-DISCOVERY’ You’re way more honest with yourself about who you’ve been in your life once you have a child, because you’re like, oh shit, this nigga might do that.” “Having a child makes you reckon with yourself, because your job is to protect them, and so you audit yourself differently. In a recent interview with Rolling Stone magazine, Sweatshirt speaks about how vastly things have changed since 2010. This led to a rift he has worked desperately to mend. It’s the direct antithesis to his debut mixtape, released in 2010, and reads like a thematic conclusion to the corrosive anger that served as the emotional propellant for his earlier work.įollowing his debut (and his hiatus to Samoa), Sweatshirt’s fan started a #FreeEarl campaign that cast his mother as a mean-spirited villain who tried to get in the way of her son’s burgeoning rap career.
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The beat, a piece of unhurried post-synth hip-hop with sparse drum work, is a minimal soundscape that allows Sweatshirt to zip between pensive and poetic: Similarly, 2010 bristles with the hope that is absent in his earlier music. Wild cat has got em in the bind, stay inside. “The cost of living high, don’t cross the picket line and get the virus.
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Now a father himself, the 27-year-old rapper casts aside his trademark misanthropy to rap about self-acceptance and what it means to make it out of the fire alive. The lean offering – only 10 tracks over 24 minutes – is a treatise on trauma, isolation and rebirth. Sick!, the latest album from the producer-rapper, plays like a laborious trek out of a bleak and demoralising locale. HAVING A CHILD HELPED EARL SWEATSHIRT ‘RECKON’ WITH HIMSELF